On the 18th The Morning Post had at last its clear message, a brief account of the marriage, from the residence of the bride's mother, of Mr. Owen Gereth of Poynton Park to Miss Mona Brigstock of Waterbath. There were two ecclesiastics and six bridesmaids and, as Mrs. Gereth subsequently said, a hundred frumps, as well as a special train from town: the scale of the affair sufficiently showed that the preparations had been complete for weeks. The happy pair were described as having taken their departure for Mr. Gereth's own seat, famous for its unique collection of artistic curiosities. The newspapers and letters, the fruits of the first London post, had been brought to the mistress of Ricks in the garden; and she lingered there alone a long time after receiving them. Fleda kept at a distance; she knew what must have happened, for from one of the windows she saw her rigid in a chair, her eyes strange and fixed, the newspaper open on the ground and the letters untouched in her lap. Before the morning's end she had disappeared, and the rest of that day she remained in her room: it recalled to Fleda, who had picked up the newspaper, the day, months before, on which Owen had come down to Poynton to make his engagement known. The hush of the house was at least the same, and the girl's own waiting, her soft wandering, through the hours: there was a difference indeed sufficiently great, of which her companion's absence might in some degree have represented a considerate recognition. That was at any rate the meaning Fleda, devoutly glad to be alone, attached to her opportunity. Mrs. Gereth's sole allusion, the next day, to the subject of their thoughts, has already been mentioned: it was a dazzled glance at the fact that Mona's quiet pace had really never slackened. "She doesn't look with her eyes; she looks with her ears. In her own way she had taken it in; she knew, she felt when it had been touched. That probably made her take an attitude that was extremely disagreeable. But the attitude lasted only while the reason for it lasted."!

"Yes, I didn't quite understand—but I think I understand now. The case is simple and logical enough. She's a person who's upset by failure and who blooms and expands with success. There was something she had set her heart upon, set her teeth about—the house exactly as she had seen it." Fleda moved to the door and opened it. "I'm not prepared to say. You must have patience and see."

"It's stronger than yours." "Because if he does come to me he must come to me there. If that telegram goes," said Fleda, "I return to Maggie's to-night." These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"